A creative octopus — part artist, part technician, part caffeine-powered problem solver. I animate, rig, code, model, and sometimes all at once. With too many arms and not enough hours, I thrive in the chaos of making things move beautifully and work seamlessly.
Titmouse / Nickelodeon / Paramount+
Served as 2D Build Supervisor for Seasons 1 and 2, and as 3D Generalist, developing a hybrid 2D/3D workflow. Built the turtles’ head rigs with custom Qt scripting and integrated Grease Pencil 3D renders via Master Controllers in Toon Boom. Also created and animated all 3D vehicles, from modeling and rigging to Grease Pencil compositing, ensuring a seamless 2D look.
Titmouse / Netflix
Served as 2D Build Supervisor using Adobe Animate, leading a team of up to fifteen artists across the first two episodes of Season 1. Oversaw the creation of numerous character builds for the hotel’s many ghosts and demons, ensuring visual consistency and efficient production under tight deadlines.
Titmouse / Netflix
Worked as 2D Build Supervisor, leading a team of around twelve artists. Built a highly detailed Elvis head rig with multiple angles and full lipsync, based on a 3D model. Oversaw the creation of numerous character builds for the show’s crowd-heavy scenes, along with several Elvis variants featuring different outfits. Ensured consistency and expressiveness across all rigs throughout production.
Titmouse / Pixel Vault
Served as 2D Build Supervisor, leading a team of fifteen artists on an NFT-based game project. Designed a modular rig system for three core characters — female, male, and mutant — built to support seamless skin and armor swaps in-game. Each rig was engineered with precise node structures to keep every animation consistent across more than thirty unique actions.
Bento Box / Netflix
Worked as a 2D Animator on the show’s first season. Although I had previously contributed to other international projects, this was my first time working directly with an overseas studio, providing valuable insight into their production structure and creative workflow.
Combo Estúdio / Augenblick Studios / FX & Hulu
Served as 2D Rigger & Animation Supervisor for Combo Estúdio, leading a team of ~10 artists through Season 1. Developed cut-out style rigs using constraints, controllers, and deformers to streamline animation. Since the character designs were stylized, we leaned heavily on node-based rigs that allowed flexibility and fluidity in motion.
Combo Studio / Floyd County / Disney+ / Hulu
Worked as a 2D Animator for Combo Studio, contributing to select scenes on *Hit-Monkey*. Helped bring momentary cuts and character motion to life, aligning my work with Floyd County’s animation direction and studio pipeline.
Combo Studio / Floyd County Productions / Netflix
Worked as a 2D Animator for Combo Studio on the feature film. During production, I gained valuable insight into advanced Master Controller setups in Toon Boom — including rigs enhanced with Qt scripting. This experience later inspired me to push my own rig programming further, exploring the full creative and technical range of the software.
